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Photographed in the aftermath of the Eaton Canyon fire, Sue’s Garage captures what remains of my neighbor’s home and her Toyota Corolla, now surrounded by ash, twisted metal, and scorched trees. It’s one of the first images I made in this ongoing 8x10 series documenting loss, resilience, and the landscape of recovery in Altadena, California.
This image was scanned from the original 8x10 film negative and printed as a LightJet print on Fuji Crystal Archive Luster paper—known for its rich tonal range, deep blacks, and archival permanence. The print includes a clean white border and is sized to fit a standard 16x20 frame without a mat.
Edition of 25, signed and numbered by the artist on the front.
Every print sold helps me keep shooting—covering film, lab fees, and time to continue the project.
Photographed in the aftermath of the Eaton Canyon fire, Sue’s Garage captures what remains of my neighbor’s home and her Toyota Corolla, now surrounded by ash, twisted metal, and scorched trees. It’s one of the first images I made in this ongoing 8x10 series documenting loss, resilience, and the landscape of recovery in Altadena, California.
This image was scanned from the original 8x10 film negative and printed as a LightJet print on Fuji Crystal Archive Luster paper—known for its rich tonal range, deep blacks, and archival permanence. The print includes a clean white border and is sized to fit a standard 16x20 frame without a mat.
Edition of 25, signed and numbered by the artist on the front.
Every print sold helps me keep shooting—covering film, lab fees, and time to continue the project.